Join us in Miami at
Art Basel + Untitled Art

Tessellations at Art Basel by
Michael Kozlowski

Booth Z4
December 3 - 7

Beginning December 3rd, HEFT is showing a new series by Michael Kozlowski, an American media artist and software developer whose practice centers on real time graphics, mixed reality, and interactivity. The works begin as coded algorithms that generate unique tessellated patterns, which are then 3D printed, metal plated, and framed in black walnut, drawing a line between medieval mosaicry, textiles, and contemporary computing.

Untitled Art Miami

Booth A68
December 2 - 7

Artist Spotlight: Auriea Harvey

Harvey’s practice bridges the digital-physical divide, creating works that question the boundaries between virtual and tangible, monstrous and divine. The works on view will be sculptures that merge digital modeling with traditional craft. She has recently expanded into bronze and marble to examine the value of classical materials in relation to their digital origins, continuing her interest in form, texture, and the transformation of matter.

Additionally in Heft’s booth at Untitled:

Computational Works (2025) by Zach Lieberman

Zach Lieberman’s new series of prints explore light, reflection, and perception through code. His work uses custom drawing and animation tools to translate moments of illumination into visual form, capturing how color, rhythm, and light interact in the world. These prints emerge from his ongoing process of observing light in daily life and rebuilding it through algorithms, creating images that shift how we see and feel.

Lieberman has been at the forefront of digital art since 2004, and was awarded the Golden Nica from Ars Electronica in 2010. His project EyeWriter has been exhibited multiple times at the MoMA.

Nancy Burson’s Quantum Entanglement Paintings

Five paintings from Nancy Burson’s upcoming Quantum Entanglement series will be on view at Booth A68. Each work is composed of thousands of sets of eyes arranged through emergent behavior patterns that echo the swarming of insects, the movement of birds, and the distribution of stars. These patterns visualize quantum entanglement, the idea that particles remain connected no matter how far apart they are. Burson, known for pioneering facial morphing through her early work with the MIT Media Lab, continues her exploration of perception and light with this interactive series.

Burson’s work is in the permanent collection of museums worldwide including the MoMA, Metropolitan Museum, and the Whitney Museum in NYC, as well as the Victoria and Albert Museum in London, the Centre Pompidou in Paris, the LA County Museum of Art and the Getty Museum, MOMA (San Francisco), the Museum of Fine Arts in Houston, and the Smithsonian Museum in Washington DC.

Universal Beauty: Facetune Portraits by Gretchen Andrew

In Universal Beauty: Facetune Portraits, Andrew explores the homogenizing impact of a single beauty standard on the faces and bodies of women from around the world. In these works, natural human features coexist with their algorithmically altered outlines, creating double portraits that visualize the meeting point between reality and digitally shaped desire.

Two works from this series have been recently acquired by the Whitney Museum to enter its permanent collection: Facetune Portraits: Universal Beauty, Puerto Rico and Facetune Portraits: Universal Beauty, USA.